
There’s really no way for me to make this funny. Suggestions?
Bat for Lashes’ (Natasha Khan) debut album Fur and Gold has a Bjork-like sound. Her fans include Thom Yorke, Jarvis Cocker and Devandra.
Horse & I [mp3]

There’s really no way for me to make this funny. Suggestions?
Bat for Lashes’ (Natasha Khan) debut album Fur and Gold has a Bjork-like sound. Her fans include Thom Yorke, Jarvis Cocker and Devandra.
Horse & I [mp3]
Check out the trailer for Wes Anderson’s The Darjeeling Limited. It’s like The Life Aquatic, but in India- Three brothers trek through India to find an albino tiger that’s actually their reincarnated father. Ravi Shankar most likely the soundtrack.

NME: The Shins cover Pink Floyd’s “Breathe”. I’ll bet you 50 quid that it’s better than the Scissor Sisters hemorrhage-inducing cover of “Comfortably Numb”.
New York Times: Radio listeners seem to buy less music.

Dan and his old lady get ready to attach some nearly dead bodies to the train tracks
The Handsome Furs have a new glorious track now available to hear thanks for our friends at Sub Pop.
Cannot Get, Started [mp3]
If you’re into that Tribal Caribbean feel, this vid is for you.
The usounds HQ receives about twelve hundred thousand records a month. We hired a small group of writers to write mini-reviews of the lesser known artists because usounds is for everyone, big and small.

This artwork kind of freaks me out
Jessica Penrose Words Become Flesh
Jessica’s MySpace
File under: Redefining Christian
Recommended if you like: Piano, Spirit, Tori Amos, God, Flesh, Glory
The first track “I am” takes me by surprise. The album starts off with an ambulance siren, and I’m thinking, “holy shit, am I at a Manu Chao show?” (I’m not.) Then the lyrics:

Rating: 8.0
Strong believers in live instrumentation oft dismiss the entire (sweeping) genre of electronic music; its endless repetition of synth loops, while providing consistent dancing fuel for clubbers on ecstasy, also tends to drill mercilessly into the brain. Asa Breed, Matthew Dear’s second full album release, provides a more accessible angle on the somewhat rigid genre of (micro) house music and achieves a powerful affect with minimal melodic song structures. Thusly, Matthew Dear has bravely gone where few dj/producers (is that an accepted term now?) dare to tread: into the world of the emotive, song-driven electronic album. And with the evolution of most electronic music at a complete standstill, we should be thankful for the efforts of Dear, 4tet, Squarepusher, and any other electronic artists who fearlessly push the envelope, for they remind us that – wouldn’t you know it? – electronic music is good for more than just spring break in Ibiza. Like, it’s also good for episodes of lovelorn self-pity.
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Sam Beam wins flowing mane of the year award
Boy with a Coin [mp3]